Halton Hills

Group of Seven Fan? This is for You

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Group of Seven. The Narrows. Photograph by Christine Montague A few years ago, I participated in  "Following in the Footsteps of Carmichael", an en plein air painting excursion  organized by the Art Gallery of Sudbury for the  Group of Seven 85th anniversary. The photograph above is of the The Narrows, on the way to Grace Lake where Franklin Carmichael famously painted.  If I  remember correctly, Carmichael's cottage, which his family still owned at the time, was just to the left past this aptly named spot. And further on, to the right, is the shore where we would eventually disembark to hike up a canoe portage path (bear whistle on hand) to Grace Lake. Not seen in the photo, is the cold rain  that horizontally smacked at our faces, and never let up (way to south of us Toronto was flooding). Nor does it tell the story of how, once up the path,  the downpour made climbing  the rocky vantage point to where Carmichael painted out of the question.

Jim and Sue Waddington, however, were much more successful in their quest to follow in Carmichael's footsteps, and have the photographs to prove it. In fact, they followed all the Group Of Seven's footsteps (A.Y. Jackson, Franklin Carmichael, Arthur Lismer, Lawren Harris, A.J. Casson, J.E.H. MacDonald, Tom Thomson, and Frederick Varley). Their new book,  "Following in the Footsteps of the Group of Seven" (Gooselane Press), tells the story of their 36 year adventure in which they tracked down, documented and photographed the actual landscapes that inspired the GO7 paintings. The book also includes the reproductions of those paintings. Here's the lovely poster Poster Waddington Cover Gooselane

Our paths connect again. This Sunday, December 1, 2013, the creative couple are talking about their adventures at the Williams Mill Visual Arts Centre, Glen Williams, Halton Hills, Ontario.  For more information please visit www.williamsmill.com  A.J. Casson painted in the very picturesque Glen Williams where I once I had my artist studio, and the Learning Centre, where I know you will be inspired by  the Waddington's talk, was once my artist studio!

Note: Do you know you can follow "Tom Thompson" on twitter?@TTLastSpring  Follow his tweets exactly as they occurred 96 years ago - his paintings, and journal - and learn of the mystery of his death in Algonquin on July 8, 1917. Canoe Lake · TTLastSpring.com

New 905 Museums and Galleries

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In an earlier post (here), I talked about the three E's of art: engage, entertain and educate. Below are some 905 ( Toronto Area) municipal art venues - museums and galleries - that do just that. In case you are unfamiliar with Toronto, (province of Ontario) it is Canada's  largest city. Head your car west along the edge of Lake Ontario and seamlessly you pass into 905 country (the area code), and Canada's 6th largest city, Mississauga. Continue on your trek  west, and you pass with little notice of division into Oakville, and then Burlington. North of Mississauga is Brampton, Canada 9th largest city, and west of it, is Georgetown (Halton Hills). Milton is sandwiched between Oakville and Halton Hills.

Two of the country's major cultural venues , the Royal Ontario Museum (ROM) and the Art Gallery of Ontario (AGO) are in the Toronto downtown core. One would think this would be an advantage to all these cities joined at the hip to TO. In fact, many of us face the dilemma that these venues  are actually "near and yet so far". Yes, Toronto, on the google map is "near".  However,  inadequate intercity public transportation, traffic gridlock,  the high costs of  TO parking, venue admission, and time traveled, make these venues "so far".  And, lets face it, if you live in a city as large as Mississauga or Brampton, wouldn’t you expect to have exciting & educational cultural venues right in your own hometowns? Places where you could drop by for an impromptu visit with the family without saving for a month, and clearing the calendar?

Well, guess what! 2012 brought forth a whole slew of  art venues that are renew in energy or size, or just... new! And, there is much more to just looking at paintings on a wall to these places, not that I don't love doing just that. These are family friendly, inspirational,  educational, entertaining, engaging, thought-provoking places with a diverse choice of exhibitions, programming, events, and community collaboration. .

Now remember, in the big scheme of things, all these cities are very, very young, and so grand institutions as one might find in New York, have not had time to evolve. However, there is the new understanding that a cultural city is a healthy city, and that citizens, even if they don't attend cultural venues, like to know they are there, and miss them if they are gone. And, more importantly, each of these cities has their own cultural identities, and affordable accessible art venues are a great place to express, learn,  and celebrate this.

Ta da! Here they are -

Mississauga

The Art Gallery of Mississauga (The AGM). www.artgalleryofmississauga.com/

Outgoing AGM Curator Stuart Keeler and his accomplished AGM team have definitely upped the ante of this relatively small (by city size) municipal gallery. They are energetically committed to connect, engage and inspire the region’s citizens, as well as its’ visual artists.  Here's why it's well worth your while to check out the AGM -

  • Twitter chats. One is coming up Feb. 7th on juried art shows
  • The recent Lord Report recommends the gallery be a building of its own. (Was there a doubt?) Volunteer, be a docent, etc. Be at the grass-roots of exciting things to come!
  • Fee to enter – by donation. But join the gallery to receive a bundle of perks
  • Other notes? Just a door away from Celebration Square. Bring your skates.
  • Parking: Mississauga, all grown up, charges for parking everywhere (at last check $1/hour). However, there is underground parking at city hall, and metered parking on the street. Note: Unfortunately, you are taking your chances to get a ticket if you park in the neighboring Square One Mall.

Brampton

PAMA (Peel Heritage Art Gallery, Museum and Archives) www.pama.peelregion.ca

The former Peel Heritage Museum has always been an attractive, inviting venue.  My whole family has enjoyed visits to what was formerly Brampton’s city jail.  Recently, it reopened after two years of extensive (and stunning!) renovation and expansion. The photos in the link below will give a better idea of this remarkable new arts venue dedicated to art, history and education   http://www.pama.peelregion.ca/en/aboutpama/PhotoGallery_BuildingsAndGrounds.asp

Admission: Free for preschoolers, $1 for students. $1.50 for seniors and $2.50 for the rest

PAMA is located on the east side of Main St., ie. Highway 10 (Hurontario in Mississauga) and overlooks beautiful historic Gage Park with its unique skating paths (bring your skates here, too!). Metered street parking or in the Brampton Civic Centre, kitty corner to PAMA. A short walk north of PAMA brings you to the lovely Rose Theatre and Beaux-Arts Brampton Artist Co-operative and Gallery.

Kitchener

“M” TheMuseum www.themuseum.ca

TheMuseum opened to much fanfare in the fall.  AVATAR: The Exhibition  marked its Canadian première at M and it was the first stop on its North American tour. I haven’t been there yet, but since so many of the western GTA (Greater Toronto Area or 905) students go away universities and colleges in that area, I hope they are checking it out.

Oakville

Queen Elizabeth Community Centre and Cultural Centre Click Here

Oakville has reinvented this former high school as a community centre as well as a venue for many of  Oakville’s not-for-profit arts and culture groups. There are studios, and a gallery and corridor exhibition space. Bring your swim suit as it seems there's a pool, too. The Oakville Arts Council office is also located here. If you are a Halton artist ,you may want to join this supportive group.

Burlington

The Burlington Arts Centre www.thebac.ca

This dynamic arts centre is home to galleries, an impressive fine arts shop and art rental program, area guilds, mentorship programmes, and studios for working and learning. On Sunday afternoons there are often excellent free workshops and discussions for visual artists. This is a great place to visit, be engaged with, and shop for art.

Georgetown (Halton Hills) Here

Newly reopened after two years of expansion is the Halton Hills Cultural Centre, a theatre, gallery and library rolled into one. The gallery was once a church and the beautiful stained glass windows are still there. Formally, the gallery dedicated itself to supporting shows  by local artists, but a large art donation to the centre may have changed its mandate. See here http://www.theifp.ca/news/art-collection-worth-800k-donated-to-town/

Milton http://www.miltoncentreforthearts.ca/en/AboutYourCentre.asp

Opened in 2011, this state of the art facility is home to gallery and performance space and more. Here is the FAQ sheet for this centre of creativity. http://www.miltoncentreforthearts.ca/en/aboutyourcentre/resources/centre_for_the_arts_faqs_aug-10.pdf

List of Call to Artists: Art Show Submissions Western Greater Toronto Area 2013

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In the last two years, the western Greater Toronto Area (GTA) artist community has lost two annual juried art shows to show their paintings, photography & sculpture. No longer are the Peel Heritage Centre's prestigious annual show (Brampton) and Halton Hills Cultural Centre’s community “The John Sommer Annual Juried Art Show” (Georgetown).  Both venues have undergone remarkable renovations in the past two years. The Peel Heritage Centre is now reborn as PAMA. An unexpected donation of an art collection altered the Halton Hills Cultural Centre's gallery’s focus from community-centric exhibition to a more staid model. But take heed; there are still  juried art shows to enter in 2013.  For some of the shows,  it is too early in the season for the posting of exact deadline dates. Thus I have included a "heads up" date based on when the show deadline was the previous year.

By the way, there is a lot of discussion out there that juried shows are a "money grab" and other negative thoughts.

But juried shows are a very useful tool in your art career strategy. They are one way to build your c.v. when starting out, get a new work or style out before the public, get your work before juror you admire, support your local art community, (club, gallery, or council) and do that all important networking at that opening party, that is, oh, so important (as well as so painful to many of us).

And sure, the judging has a subjective element; after all, it’s art! Judges react, just as you would, with their hearts and personal preference, but they also judge with the years of ability for which they have been hired. Most shows hire more than one adjudicator, and I have witnessed first hand, the very careful thought behind the choices.

Happy planning & best of luck, everyone!

2013 CALLS TO ENTRY Please remember to check requirements & eligibility.

Some Other Calls for Entries of Interest

An Artfelt Wish for a Happy New Year

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ImageToday was my last day as an artist with an open studio at the Williams Mill Visual Arts Centre, Glen Williams, Ontario.  I have had a great three creative years there, including my time as the Mill Artist Group Chair. But a new year and a desire for more time to paint, blog, tweet and more, has me taking new steps. To all the hundreds of people that have visited my studio, and I hope you are one, I wish to thank you for your patronage, and wish you all a happy, healthy and creative 2013!

 

The Dog's Gone

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We've had such a great winter here in the Toronto area. The artists at the Williams Mill have been more than grateful not to face the ice and snow on the steep hills that lead into Glen Williams and the Mill studios.

But still, I felt a great sense of relief that spring officially arrived this past week.   And this expressed itself in the painting seen centre of the photo above.  Meant to be the finished painting "Dog in Fog" inspired by the study at the left  (also done last week ), I 'm thinking it could easily represent the departure of the "dog days" of winter and that the title needs a rethink.

About the chair. My daughter adored this chair  owned by Naomi Assenheim, (Opal Wing Creations) the talented young jeweller here at the Mill.  Naomi was my studio mate in the Stone Building, until her move to a new studio in the Williams Mill Yellow Mill (The  Mill has four buildings housing artist studios).  So I purchased this magical chair as a surprise gift for my daughter, but somehow it's never made it out of my studio.  Any visitors to my studio who are old enough to remember their parents having such a chair, or have owned one themselves,  are not too impressed by this new edition. But for those into retro furniture from the sixties and seventies, it's a definite hit.

And for me, its soft green and gold material inspires thoughts of spring and magic in the air.

What do you think?

PS. Normally, I load my high walls with my paintings. I enjoy this airier look, although it won't last for long as new paintings come to life.

Dogs, Fog, and Collateral

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About four years ago, as I turned onto Mayfield Road in Halton Hills, the rumps  of two large dogs, trotting amicably along, appeared immediately before me in the thick fog. Luckily, for the dogs and me, I was driving slowly having just stopped at a light, and that my car's fog lights were doing their job.

Upon hearing the car,  the dogs, both German Shepard, one black, and the other brown and black, traversed  to the opposite shoulder. They never changed pace, or even looked back.  It was only as I snapped a photo, that the brown and black German Shepard,  in the lead,  gave me a glance.

Have you seen the movie Collateral ?  There is a scene where coyotes cross in front of the taxi that holds Tom Cruise and Jamie Foxx. It was my favorite scene in that film, and that is how I felt when these two dogs crossed my path in the thick of the fog.

Fast forward to a couple of days ago. It was overcast and had recently rained. Driving along 22nd side road, on my way out of the glen, I glimpsed two dark shapes emerge from the trees on the hillside to the marshy field below. My first hope, however unlikely, was that these were wolves. I excitedly turned the car around, and over to the side of the road.

Lo and behold, there they were, the same two dogs I had enjoyed photographing in the fog years before.  I fumbled to get my camera out of its bag, and still keep both eyes on the dogs.  They were on the go, when suddenly, these two "littlest hobos"  plunked themselves  down in a large, dark,  mucky puddle. These two must have need a cooling off, further proof, of just how eerily warm March is here in Southern Ontario.

Before I could snap a shot, up and away they went, into the woods, and out of sight.

Back in the studio,  I took another look at the old photo of them.   I knew the brown and black German Shepard had a collar, but that pixellated item around the black dog is a broken rope? Could they be feral? Lots of good rabbit eatin' here in the glen.

No matter, whether farm dog or feral, they seemed healthy, happy, and a team.

Dogs are usually not my thing, but I love the image of the black dog, his pale breath clear in the fog, and the contented freedom the pair represent.

I immediately started the drawing of the black Shepard in fog on a large canvas. But the Mill  "open studio" days, Friday and Saturday afternoons, are  in reality "clean hands days".   So contentedly I painted  the tidy  18" x 24" oil painting study above.

And the dogs? If they do have a home, and I hope they do, I am uncertain how content the owner will be with their muddy exploits.

New Portrait Oil Painting: Polar Bear 6

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Polar Bear 6 oil painting portrait. Copyright Christine Montague

The sixth in the series of little polar bear portrait oil paintings now dries on my easel. The Toronto Zoo's male polar bear "Inukshuk" is once again the model, and as in the fifth portrait, he is lit by the moonlight. Two more of these little portraits are blocked in and waiting completion. Yup. Those big blank canvases are calling for attention now.

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New Cold Wax Oil Painting Collectibles

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Cold wax painting is the search word subject most used to bring visitors to my blog.  It's been just over a year since I took my workshop with the  creative Janice Mason Steeves and my curiosity about this interesting medium (along with yours) continues to grow.

I haven't experimented with cold wax as much as I 'd have liked, but I enjoy how my painting style changes when I do these little art works.  I work  fast and free with my Wilton pastry cutter and oil paint mix. I think some of these small works would translate well into large acrylic paintings on canvas, don't you?

So scroll down to see my most recent cold wax and oil paintings below. The Williams Mill Gallery has added them to the "Big Show, Small Works" one of a kind gift show on until Dec. 24th.

Once again, the historic 1850's yellow lumber mill outside my Williams Mill studio window are the inspiration for these cold wax panels. And when I do a painting involving koi, water-lily and ponds, the Chappell House Pond at Riverwood Park, Mississauga is my inspiration.

 

 

 

A Timbit Paints Another Polar Bear Portrait

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"Polar Bear Portrait 1" is an 8" x 8"  head on portrait of  Inukshuk, the male polar bear at the Toronto Zoo.

It is the first of four studies in my  new miniature oil paintings series of polar bear portraits. By painting this little canvases, I' ve improved my understanding of the polar bear face and head.

Polar bear eyes are brown, close-set and face forward. I've learned that their eyesight is similar to our own, and that they are fortunate to have a protective membrane over their eyes may shield them from ultraviolet light. No snow blindness for them.

The polar bear 's rounded ears lie flat against his head when underwater.

And the polar bear does not, as I believed , hide that terrific black nose,with either his left paw (or the right one) when  hunting. You can learn more about polar bear myths and misconceptions at this Polar Bears International page.

Don't you just love the mighty Inukshuk's great big, handsome, snuggly toy of a face? Don't you just want to hug him? But I'm not fooled. I know in Inukshuk's eyes, I'm just a  Tim Hortons timbit in waiting. Better make that a Boston Creme.

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Blue Sky in Cold Wax Art

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Every once in a while I  experiment with cold wax and oil paint.  So when I had some spare time a couple of Saturdays ago,  I created these little "Yellow Mill" blocks.  I painted (squigeed, is more like it)  them en plein air, except I was working from the comfort of my Williams Mill Stone Building studio. This is the view from my studio window. The Yellow Mill (an 1850's lumber mill by the Credit River) was freshly painted this summer  (an enormous task as this is one big building) and its yellow clapboard now glows against the bright blue sky. The sky really is more blue here at the Williams Mill. It 's gotta be all that "blue sky" thinking we do. lol

I made four of these cold wax panels. One sold before I had even signed it, and I received commissions to do two more.  All this before they have even appeared in public  in  the "Big Show, Small Works" art exhibition & sale  at the Williams Mill Gallery, (along with my chipmunk panels & Scotsdale Farm paintings) opening Nov. 9th, 2011. They are happy little paintings, aren't they?

Cat Not Out of the Bag...Yet

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Any one who has owned a cat, or even been around one for a while, knows that cats have a thing about bags. If a bag is open, the cat will do its best to make its home. Well, this seal point Rag doll cat, has set up house in a paper bag, his "cat cave", if you will. He figures that if  he can't see you, you can't see him, and all is well with the world. From the safety of his trusty paper bag he will watch the world go by until he succumbs to a nap.

I finished this larger than life cat painting of a Seal Point Rag Doll cat in a bag, today. It is the latest in my series of big cat paintings. As you may have surmised, by "big cat", I don't mean tigers and lions (and bears, oh my). The reference is literal in meaning. Domestic cats painted big. Very big.

These oil paintings pay homage to the character (talk about character) of our feline friends, by the fact that we look up at the subject portrayed. But  the cat, himself?  He probably thinks that these paintings show us in our true light as something much, much smaller (see "Who's For Dinner?").

Whatever the case, this cat,  drying on the easel in my studio in the Williams Mill Visual Arts Centre, is not yet ready to be out of the bag and on the wall.

 

The 24th: Art & Legacy.

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In a short while the Duke and Duchess of Cambridge will pay a visit to The Tomb of the Unknown Soldier and the National War Memorial "The Response" in Ottawa, Ontario, Canada. The Great War is a part of our shared history and with many of us still connected to a family history of relatives who fought, this striking memorial is a testament to all we have here in Canada now. When I painted this work of my son climbing on this striking memorial as a surprise gift for  his 18th birthday, little did I realize at the same time he had enlisted as a reservist. There are 23 larger than life figures on this dramatic statue and he is the 24th. His freedom symbolizes what these young soldiers fought and sacrificed for. The grandfather of a visitor to my Williams mill studio had been one of the models for this work. I wish I  had thought to ask her more questions, like his name, so it too, could live on.

New Painting "To Valinor"

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Through the looking-glass of the lake, there is another world. Like  passage into Valinor, this indigo world patiently awaits your visit. Can you feel the stillness? The relief and solace from the difficult world beckons. It is time to go.

Still Dreaming of Summer: Ghost Canoes

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New painting drying in my studio at the Williams Mill in Halton Hills. It is the second oil painting in the Dreaming of Summer Series.  Night brings a surreal look to the canoes tucked away for the evening. There are 9 paintings planned for this series, but who know how many more will be dreamed of along the way.

New Exhibit Opening & Art Event at the Big Daddy Festival on Father's Day

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Saturday, June 18th , 1 - 4 p.m. join the Williams Mill artists and me at the opening of our annual show "Where Art Comes to Life" (formally our annual "Spring into Art" show) in the Williams Mill Gallery. I have 3 paintings in the show, and you will a diverse selection of the Williams Mill Artists work - oil, acrylic and watercolour painting, glass, ceramics, wood, stone sculpture, jewellery and more.  Refreshments will be served.  Then, take a look at all the studios where this fine art work was created! Our studios are always open to the public Saturdays (Fridays, too) 12 - 5 p.m.

Then on Sunday, don't miss out on a unique and creative way to spend Father's Day! On Father's Day, Sunday, June 19, 2011,  11:00 am - 4:00 pm, art comes further to life at the Williams Mill. Demonstrations, Workshops, Discussions & Interactive Displays – pick up your detailed brochure and guide at the Williams Mill Gallery. FYI In the top left photo in the flyer above, that's yours truly in my old studio.  I will have my studio open on Father's Day - rare indeed!

Activities include:

  • Free Demonstrations: Clay Wheel Throwing, Clay Pressed Moulding & Handwork, Cut Glass Creation, Working Stone, and Wood Carving Techniques
  • Free Discussions of Work: Painting, Graphic Arts, Jewellery, Illustration & Painting
  • Free Interactive Activities: Hand Building, Soapstone Carving , Pyrography/Wood Burning, Watercolours, & Leather work & Children’s Book Readings
  • Free Historic Tour of The Mill with owner Doug Brock: 40-minute tour of the Mill at 11:00 am, 1:00 pm, & 3:00 pm learning about our artists and its history (meet at the Gallery)
  • Pre-Booked Workshops with Take-Home Art – 10 sessions starting at 11:00 am (register at 905- 873- 8203/ gallery@williamsmill.com): Also Adult Glass Blowing – $20.00/30 minute session Father & Child Hand Casting - $40.00/30 minute session

Art Show & Art Cook Book Signing at the Williams Mill

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You are invited to the "Art Show &  Book Signing" for the fine art cook book "Recipe for a Good Life" Saturday, May 28th, 2011 2 p.m. - 5 p.m. in the studio of Sheri Tenaglia at the Williams Mill Arts Centre.
I am proud that my pastel drawing "Soya Beans" (Soybeans)  is in this wonderful cook book that is also a fine art book.  Fine arts and artisans from Murphy's and Friesen's myriad of artist friends created images inspired by the ingredients found in the book.
On Saturday, May 28, 2011, join Paulette and Dawn in the Sheri's studio at the art show opening of the original paintings & drawings found in the book, including mine. You will be able to buy this inspiring cook book of recipes tested by a nutritionist, and have the authors autograph it too! Portions of sales of the book will be donated to support cancer research and/or treatment centres.
Sheri's studio is in the Parkside Level of the Yellow Building, just across the parking lot from my Stone Building Studio.

Like Summer, Art is Just Around the Corner

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Just when it seemed winter would never end, suddenly it's almost June! And June is a busy time at the Williams MIll Visual Arts Centre. This is the second year for Halton Hills Big Daddy Festival and once again the Williams Mill figures prominently in the festivities. The Mill will be open as usual Saturday, June 17, 12 - 5. But on Father's Day June 19, you won't want to miss all the special art related activities being offered to Dads and their families. http://www.bigdaddyfestival.ca  The Williams Mill schedule of events is not up yet but the day starts at 10 a.m. and ends at 4 p.m. See you there!

Following the Big Daddy Festival is the MAG (Mill Artists Group)  Exhibition in the Williams Mill Gallery. I will have new paintings in that show.

After the MAG Show is the 5th Annual Eye Full Salon!  I put forth this concept in 2006 before I left the Mill to work at home for almost three years. The Eyeful Salon will run all July. And I will have more art work in that! Think of me kindly, as I have helped hang this show 3 times now, at about 100 paintings each time, and will probably help again this year. Bonus? I always get an exclusive preview!  lol

As well, I am now offering selected work on Fine Art America & Xanadu Gallery Online. Or for more art, see column to the right "Where to buy my art".

Of course, you are always welcome to visit me in my studio most Fridays and Saturdays 12 - 5 p.m.

One Of These Things Is Not Like The Other

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The large 48" x 48" cat painting seen at the top of the photograph is an original oil & oil stick painting entitled "Who's For Dinner?!"

This graphic painting with a bit of dark humour to it,  has received so much  positive attention from visitors to my Williams Mill studio in Halton Hills that I am now offering a giclee reproduction on canvas print of it.

The original painting "Who's For Dinner" is 48" x 48" . It is a black, silver & white oil stick and oil painting on gallery mount canvas. The edges are painted black. Please feel free to contact me about the original painting's price.

There are two sizes of giclee.

36" x 36" giclee on canvas is at the introductory price of $300 Cdn + HST.  The  slightly metallic silver oil paint looses this metallic sheen in the reproduction, but as you can see above, the two are remarkably similar. The print is also on gallery mount canvas and the edges are black. Only for the original will be 48" x 48".

12" x 12" giclee on canvas is at the introductory price of $79 +HST. It is also on a gallery mount canvas.

Perhaps, the poor Golden Lab "Guilty",  should be "Concerned".

What do you think?